Yorkshire sculpture
park.
Anthony Caro - Promenade
The scale of the structure is
very large, for example if you take a look at the picture you can see that the
size compared to the human form is extremely different. ‘Promenade’ is a large
painted steel structure which has an almost smooth texture to the touch. The
main idea of the sculpture is the idea of strolling in a public place; the
sculpture evokes the rhythm and movements of walking. The structure is situated
next to a large stream in an open space where people generally would go
walking, this relates to them meaning as it evokes the rhythm and the movements
of walking.
Peter
Liversidge - Everything is Connected
The scale of this structure is large;
it is roughly twelve foot in height, the average height of two human beings.
The structure consists of materials such as metal, bulbs and plastic which have
a smooth but also lumpy texture to the metal in parts. ‘Everything is
connected’ is a realised proposal, the statement sums up the philosophy of
contempary art reverencing the relevance, function and theory of art with
regards to the politics of the art market. The context relates to the meaning
as the structure is in a very natural contempary setting whereas the structure
is modern and lit up by lights and the space around it is very natural, this
relates as the actual structure says ‘everything is connected’ and shows that
natural contempary is still a connection with new and politics.
Magdalena
Abakanowicz – Ten Seated Figures
The scale of the figures is large;
it is roughly the length of an average lorry and is ten feet in height. The
material used to create the sculpture is cast iron and the texture is rough to
touch. The figures provide a strong sculptural statement about war and
political oppression. The surrounding of the sculpture relates to the meaning
as there is a courtyard situated in front of them which could be thought as a
battlefield relating to the war.
Michael
Zwingmann – Invasion
The size of
the sculptures are just short of two meters in height at 1.83 meters and weigh
almost five tonnes, the sculptures are made of pouring liquid asphalt into
large steel formers which hardens when it cools. The sculptures are smooth but
rigid on one side. The main idea is that from a distance they look like large
hay bales however when you go up close you can clearly see that the solidity
and potential menace of the material and the work demonstrates a collision between
the manmade and natural words. This relates to the surroundings as he could be
proposing that what once seem to be an achievement over nature has come to be
considered an assault, the title, materials and presence of the piece suggests
an invasion of the natural landscape.
Sketches from Yorkshire Sculpture Park.
photographs of most sculptures at 'YSP'
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